Sam Cooke Live Copa Rare
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Find great deals on eBay for sam cooke copa and bill cosby sings. SAM COOKE LIVE AT THE COPA RARE GOLD RECORD DISC ORIG LP ALBUM. SAM COOKE - At Copa.
2005 remaster Live at the Harlem Square Club, 1963 is the second by the American. The album was released in June 1985 in the United States. Initially recorded on January 12, 1963 to be released as a live album entitled One Night Stand, the concert at Miami's Harlem Square Club was not released until 1985., at the time, viewed the album as too gritty and raw and possibly damaging to his pop image, and quietly kept the recordings in their archive. The album is generally considered among the best by contemporary music critics, and has been ranked in 'best-of' music lists, including on 's list of The 500 Greatest Albums of All Time.
Three mixes of the record exist: the 1985 issue, a version included on the 2000 box set The Man Who Invented Soul, and a 2005 remaster from RCA. Contents. Background In 1962, decided it was time for Cooke to record a, and a warm January night at the Harlem Square Club in Miami was picked to record. The Harlem Square Club was a small downtown nightspot in Miami's historically African American neighborhood of, and was packed with the singer's most devoted fans from his days singing gospel. RCA found the results too loud, raw and raucous — not the Cooke the label was trying to break as an international pop star — and shelved the recordings for over two decades. In 1985, executive Gregg Geller discovered the tapes and quickly issued Live at the Harlem Square Club, 1963 that year. 'Sam was what we've come to call a crossover artist: He crossed over from gospel to pop, which was controversial enough in its day.
But once he became a pop artist, he had a certain mainstream image to protect,' Geller said in 2013. 'The fact is, when he was out on the road, he was playing to a predominantly, almost exclusively black audience.
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And he was doing a different kind of show — a much more down-home, down-to-earth, gut-bucket kind of show than what he would do for his pop audience.' Three mixes of the album exist. The original 1985 mix contains a louder audience response, creating a 'claustrophobic, frenzied power', while the version included on the 2000 box set, The Man Who Invented Soul, turns these elements down, cleaning up Cooke's vocals as well as the music. The 2005 remaster generally splits the difference between these two releases. Reception Professional ratings Review scores Source Rating (2005 reissue) (favorable) Live at the Harlem Square Club, 1963 has generally been considered among the best live LPs ever released.
In the year of its release (1985), it was ranked at number 11 on 's critics poll, as well as being named number 7 on 's albums of the year. Steve Leggett for AllMusic feels that 'Not only is this one of the greatest live soul albums ever released, it also reveals a rougher, rawer, and more immediate side to Sam Cooke that his singles only hinted at, good as they were.
the crucial key is and was always Cooke's vocals, and while he was a marvelously smooth, versatile, and urbane singer on his official pop recordings, here he explodes into one of the finest sets of raw secular gospel ever captured on tape. It is essential listening in any version.' In 2012, ranked the album at number 439 on its list of. 'Cooke was elegance personified, but he works this Florida club until it's hotter than hell, while sounding like he never breaks a sweat. when the crowd sings along with him, it's magic,' said Rolling Stone. The album appears in the book.
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Retrieved on 2010-05-22. Campbell, Mary (December 24, 1985). The Nevada Daily Mail. Retrieved February 15, 2018. Christgau, Robert. Retrieved 2018-02-16.
American Bandstand
Retrieved 2018-02-16. ^ Wenner, Jann S., ed. Rolling Stone - Special Collectors Issue - The 500 Greatest Albums Of All Time.
Vincent Cooke
USA: Wenner Media Specials. Dimery, Richard, ed. 1001 Albums You Must Hear Before You Die.
The RCA Albums Collection (liner notes).: /. External links. at (list of releases).
The elegant Sam Cooke was one of the most successful crossover R&B stars of the Sixties. On this January night in 1963, performing for a black audience in a packed Miami club, he let his raw, soulful side break free ('don't fight it,' he tells the audience, 'we're gonna feel it'). Cooke's connection with the rapturous crowd is electric, the band swings like crazy and his versions of classics like 'Having A Party' and 'Bring It On Home To Me' rock as hard anything else going at the time. RCA Records found the results a too intense for his pop image, and shelved the performance — when they did release a live album it was 1964's comparatively toned down At the Copa. The album was finally released 20 years later to critical acclaim. Jon Dolan.